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Color Printing in your Dark RoomApr. 20, 2005

If you can do black and white in your darkroom, you can do color. That's it. One need say no more. Its that simple! This manual will show you just how simple it really is.

The new class of chemicals and papers that are available (reffered to as RA-4 for negatives and R-3000 for slides), make the entire process so simple and relatively foolproof that you will be able to spend most of your time concentrating on the actual ART of color printing. That is not to say that the TECHNIQUE of color printing is a snap; in the beginning, when most of your prints are a unique greenish/magenta shade, you might be terribly frustrated. But perserverence will eventually pay off in the mastery and pride in your new capabilities.

 

What you MUST have:

1. An enlarger

You will need an enlarger that can do (or can be convinced to do) color. If you have an enlarger with a dichroic color head, you are set. If your enlarger has no filters for color printing, you can buy a set for about $20.00. If you have a cold light head on your enlarger, you will have to change it to a regular bulb source.

2. Something in which to develop the prints.You can use trays. With room temperature chemicals, doing so is a snap. You may also use tubes, which allow you to work with the lights on, but require more effort.

3. The proper chemicals and paper.You must choose either room temperature or high temperature processing. There are advantages and disadvantages to both. You can always change your process as your skills and needs change. You will find that the paper is very inexpensive and that the chemicals ARE expensive. But there are SECRETS to extending the useful life of the chemicals, especially while you are in "the learning phase".

4. A good negative or slide, preferably one with middle gray tones, I.E., a gray card.

5. Viewing filters, to aid in color correction decisions.

6. If you decide to NOT use room temperature chemicals, a heater for controlling the temperature of the chemicals you decide to use.

7. A ringaround easel. Instructions for making one are located in APPENDIX xx

 

Now we will discuss what you MIGHT like to add to the above list, I.E., let's spend money!

1. If you would like to buy a new enlarger anyway, even if you probably will only do black and white, get one with a dichroic color head. Just about every manufacturer offers one. You do not need to spend a fortune on one; they range in price from about $400.00 to infinite.

2. Jobo makes several basic color processors, ranging from their new NOVA series of verticle "trays" to their top of the line rotary processors. Depening on your budget and volume, you may be interested in investing in such a processor. For high volume work, you might invest in an in-line processing system, where you put in the exposed sheet of paper in one end, and out comes a finished, dry print 2 minutes later.

3. A color-checker chart. Macbeth makes a very good, expensive, one. Kodak makes a good color test strip that is less expensive.


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